• Adkins, Monty; Scott, Richard; Tremblay, Pierre, ‘Post-Acousmatic Practice: Re-Evaluating Schaeffer’s Heritage’, Organised Sound, 21/2 (2016), pp. 106-116.
• Atkinson, Simon, ‘Interpretation and Musical Signification in Acousmatic Listening’, Organised Sound, 12/2 (2007), pp. 113-122.
• Barriero, Daniel L., ‘Sonic Image and Acousmatic Listening’, Organised Sound, 15/1 (2010), pp. 35-42. 
• Blesser, Barry and Salter, Linda Ruth. Spaces Speak, Are You Listening?, (London, Massachusetts: MIT Press, 2006).
• Bregman, Albert, Auditory Scene Analysis: The Perceptual Organization of Sound, (London, Massachusetts: MIT Press, 1994).
• Camilleri, Lelio, and Smalley, Denis. ‘The Analysis of Electroacoustic Music’, Journal of New Music Research, 27/1-2 (1998), pp. 3-12.
• Chion, Michel, Audio-Vision: Sound on Screen, trans. Claudia Gorbman (New York: Columbia University Press, 1990).
• Chion, Michel. Guide des Objets Sonores, trans. John Dack and Christine North (unpublished).
• Cohen, Seth Kim, In The Blink of an Ear: Towards a Non-Cochlear Sonic Art, (New York; London: Bloomsbury Academic, 2009).
• Coull, Rosalyn, ‘Emotion, Meaning & Narrative in Electroacoustic Music’ (Ph.D Thesis, University of Birmingham, 2015).
• Derrida, Jacques, Speech and Phenomena: And Other Essays on Husserl’s Theory of Signs, trans. David B. Allison (Evanston: Northwestern University Press, 1973).
• Emmerson, Simon, ‘The Relation of Language to Materials’ in The Language of Electroacoustic Music, ed. Simon Emmerson (London: McMillan Press Ltd., 1986).
• Forsyth, Mike, The Elements of Eloquence: Secrets of the Perfect Turn of Phrase (New York: The Penguin Group, 2013).
• Labelle, Brandon, Acoustic Territories, (New York, London: Bloomsbury Academic, 2010).
• Kane, Brian, ‘L’Objet Sonore Maintenant: Pierre Schaeffer, Sound Objects and the Phenomenological Reduction’, Organised Sound, 12/1 (2007), pp. 15-27.
• Kim, Seung-Hye ‘Performative Agency in Acousmatic Music’ (Ph.D Thesis, University of Florida, 2012).
• Maus, Fred Everett, ‘Narrative, Drama, and Emotion in Instrumental Music’, The Journal of Aesthetics and Art Criticism, 55/3 (Summer 1898), pp. 293-303.
• Merleau-Ponty, Maurice, ‘The Primacy of Perception and Its Philosophical Consequences,’ in The Phenomenology Reader, ed. Dermot Moran and Timothy Mooney (London: Routledge, 2002), pp. 436-59.
• Palmer, John, ‘High Spirits With Jonty Harrison’, 21st Century Music, 9/1 (2002), pp. 1-4.
• Pedersen, Michael, ‘Transgressive Sound Surrogacy’, Organised Sound, 16/1 (2011), pp. 27-35.
• Schaeffer, Pierre, Treatise on Musical Objects: An Essay Across Disciplines, Trans. By Christine North and John Dack, (Oakland: University of California Press, 2017) (Original work published Paris: Édition du Seuil, 1966).
• Smalley, Denis, ‘Spectromorphology and the Structuring Process’ in Simon Emmerson (ed.), The Language of Electroacoustic Music (London: Palgrave Macmillan UK, 1986), pp. 61-93.
• Smalley, Denis, ‘Spectromorphology: Explaining Sound-Shapes’, Organised Sound, 2/2 (1997), pp. 107-126.
• Smalley, Denis, ‘The Listening Imagination: Listening in the Electroacoustic Era’, Contemporary Music Review, 13/2 (1996), pp. 77-107.
• Tanzi, Dante, ‘Extra Musical Meaning and Spectromorphology’, Organised Sound, 16/1 (2011), pp. 36-41.
• Tuan, Yi-Fu, Space and Place: The Perspective of Experience (Minneapolis; London: University of Minnesota Press, 2001).
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• Wishart, Trevor, On Sonic Art (New York: Routledge 1996).

 

Website Resources

 

• Adkins, Monty. ‘Acoustic Chains in Acousmatic Music’, in Proceedings of Conference, Imaginary Space, ACMC (Wellington, 1999) http://montyadkins.files.wordpress.com/2013/06/acoustic-chains-in-acousmatic-music.pdf (Date Accessed 09/07/2019).
• ElectroCD, ElectroCD [Website], https://electrocd.com/en/piste/cec_95cd-1.6 (Unknown Authored Year, Accessed 13th June 2020).
• Markus Schlosser, Stanford Encyclopedia of Philosophy [Website], https://plato.stanford.edu/entries/agency/ (Authored 2015, Revised 2019, Accessed 13th June 2020).

 

Musical Works Cited

 

• Blackburn, Manuella. New Shruti (2013).
• Gobiel, Gilles. Le Vertige Inconnu (1994).
• Hamdan, Lawrence Abu. The Hummingbird Clock (Liverpool, 2016).
• Harrison, Jonty. Klang (1982).
• Hinde, Kathy. Vocal Resonances (Leicester, 2018).
• Schaeffer, Pierre. Etude aux Objets (1959).
• Stollery, Pete. ABZ/A (1998).